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Patrick Walsh

I like to move it. Move it.

100 Favorite Songs #80 - 61

posted Wednesday, 2 August 2006
It's 4:47 in the morning and I have to be up in a little over two hours. You better enjoy these. And please, I'm temping again, keep the comments rolling in, it makes the day so much more fun.

My 100 Favorite Songs #80 - 61


80) "Fade Into You" by Mazzy Star


I want to hold the hand inside you. I want to take the breath that's true. I look to you and I see nothing. I look to you to see the truth.


This sounds like it's being performed by angels or something.  That simple acoustic guitar strum, the little piano touches, the slide guitar solo, the shaking tambourine, the buttery singing, delicious. This was the first song on the album and I literally have never listened past it. What happened to these guys?

You might remember it being used over the exquistely moving final scene of Angus, in which Angus finally gets to share a dance with the girl from Jurassic Park? Anyone? That movie was very important to me.


79) "Dosed" by Red Hot Chili Peppers

I've just been endlessly surprised by the evolution of the Chili Peppers. Never liked their whole rap/rock thing at all. Respected the instrumentation, I guess, but didn't have much use for someone yelling "Flippy Dippy! Doopa Doopa Doopee Didee!" at me. Never got it. "Under The Bridge," yes. "Breaking The Girl," yes. Everything else...whatever. Then I heard "Scar Tissue" on the radio. I was like, where the hell did this come from? And pretty much everything's been incredible since. Maturity and actual songwriting certainly look better on these guys than tube socks and white-boy dancing. Apparently all the harmonies are designed by John Frusciante, he deserves a medal, they have done some incredible vocal stuff in the past several years. Like this song, their best, off their finest album By The Way. Sounds haunted.


78) "I Believe In A Thing Called Love" by The Darkness

I think my finest ever dance performance was on this song. A bar packed to the gills. No room to move. I was drenched in sweat (big surprise). I had recently developed a real crush on this song, and when it came blasting out from the frat shit they had been playing all night, I seized the opportunity and danced that motherfucker out. Space was cleared, there was a "dance circle," there was some chanting. I think I found God that night. Not sure where he went after that.


77) "Misery" by Soul Asylum

So it's the summer before freshman year of high school. I had been obsessed with this girl Dennery Watts for quite some time, but was stuck in the friend zone. One day, her and I and her best friend Sarah Rau are hanging out, playing some board games. Dennery leaves and Sarah gives me a handwritten note from Dennery. It was a poem, a really touching and romantic and lengthy and heartfelt poem, confessing her love for me and letting me know that she truly believed we could make it as "more than friends."

I still have that note.

I was a freshman, I felt things more strongly then. This might have been the happiest moment of my life. I rushed home, I called her, told her that I'd love to be her boyfriend. It was settled, and I started the summer with a spring in my step and a song in my heart. A girl liked me! I was "in love!" I told all my friends. Finally! Dennery and me! Together! Bliss!

And then the next day she called and told me she had changed her mind.

Totally out of nowhere. It felt like someone hacking through my rib cage with a bone saw. I argued a bit, (a lot of "But why'd you give me that poem? I don't understand!"), until I realized how pathetic I sounded, and I hung up. Then I walked into the living room, a shell of  a man, and turned the stereo on. I was desperate to hear a song that put my pain to music.

"Alright, here's the new single from Soul Asylum, check it out!"

 And so began the beguiling lyrics of "Misery:"

They say misery loves company.
We could start a company...and make misery.
Frustrated incorporated!


Reading them now, yes, they seem to have been written by someone with Down's Syndrome. But on that particular day, as I cranked up the stereo, every word burrowed deep into my soul. And freed it from it's asylum.

EPILOGUE:

The song wasn't a big hit, and I hadn't heard the thing in years. And then Kevin Smith just used it (brilliantly, by the way) over the final scene of (the surprisingly really good) Clerks 2! And I could barely sit still, the pummeling wave of memories crashing over me.

Years later, I still love the song. And I still don't trust girls. At all.



76) "A Long December" by Counting Crows

OK, this one won't earn me any cool points. Like a lot of people, I went through a period of loving this band, loving that whole mopey scene. Their music doesn't do much for me now, except for this, which is absolutely beautiful. I was driving around the other night, unable to sleep as always and this song came on the radio. It's about being depressed in California, and now that I live here it hit more of a nerve than usual, as I was having the exact same feelings as the narrator, (wishing a certain someone was here with me, loneliness, a desire to see the ocean). I think if they played this in bars at midnight on New Year's Eve, the suicide rate would go up by thousands.



75) "A Little Respect" by Erasure

It doesn't get much gayer than Erasure, and yet if this song came on in a club I'd be out there with assless chaps and a single tear rolling down my cheek. Beautiful song.



74) "Monkey Wrench" by Foo Fighters

One last thing before I quit I never wanted any more than I could fit into my head I still remember every single word you said and all the shit that somehow came along with it still there's one thing that comforts me since I was always caged and now I'm free!

What an angry, balls-out climax this song has. Anyone who got in a car with me for about a four year block in college would have heard me belt the finale of this song out at beyond top volume, without taking a breath, veins bulging out of my neck. Better times.



73) "You Can Have It All" by Yo La Tengo

Yo La Tengo makes some of the prettiest music there is, music that makes you want to crawl inside it and float around for a while. This is their prettiest, and certainly on a short list for prettiest songs of all time. That Bom-ba-bom-BA-ba-bom-bom loop in the background will burrow its way into your head. Seriously, like sititng on a cloud, this song.

This is on my "Romantic Fucking" iTunes playlist. Works every time.



72) "World's A Mess; It's In My Kiss" by X

No one is united. And all things are untied.

Yup. That's about right.

This is what punk music should be. Ridiculously catchy, the lyrics are poetry without being all pretentious and Jim Morrison-y, and this is pretty much the only song with a tolerable organ solo. God, even the title is incredible. That's this song and this band in a nutshell. The world is falling apart, but you've got me.

Also holds a special place in my heart as being the last song played by my ex-band, The PTA. Perhaps you've heard of them? No? I'll move on.



7
1) "Father and Son" by Cat Stevens

I don't even particularly love Cat Stevens, but he really nailed a feeling here. The whole twisted, tough, complicated, lifelong fathers and sons "thing" is something all guys experience but never talk about, until they find themselves bawling like an infant at Field of Dreams.

Have you heard this? Download it, or at least go look at the lyrics. This song is like a kick in the heart. If I may share a more personal story than I'd really like to: When I first left Missouri to live in disgusting Jersey City, New Jersey, my misery knew no bounds. I completely abandoned all human emotion for roughly a year. Be thankful you didn't know me then.

One day I received a package from my father. We had had a lot of problems before I left. In the package was a ridiculously supportive and loving note, encouraging me to stay strong, never give up on my dreams, and find a way to be happy.  Also in it was a cassete tape of Cat Stevens' Greatest Hits, with this song circled on the case. I had never heard it. Played it in my room and just sobbed, letting out everything that I'd shut in. I still don't listen to this song.

Oh, and if it wasn't moving, depressing, masochistic enough...Johnny Cash covered it! A couple months before he died!



70) "Do You Love Me Now?" by The Breeders

This will not be the first time I've said this, even in this countdown, but there is no sexier voice on Earth than Kim Deal. And this might be her sexiest moment. And as much as I love the nonsensical lyrics of both Pixies and Breeders, when she plays it straight, as she does here, the results are pretty breathtaking. The backup vocals at the end of this song make me thank God I have ears. Drop dead gorgeous.



69) "This Is How We Do It" by Montell Jordan

If you hear that opening call of This Is How We Do It! and don't tip up your cup and throw your hands up? I have no use for you as a human being. This thing could still effortlessly pack dance floors, if they'd stop playing "Baby Got Back" for a damn minute. I feel this song should be played over the loudspeakers at every office building in America, each Friday at 5PM.

I miss this kind of music. Hate to be an old man here, but I liked rap when it was fun. You still see flashes of it now and then, but it's not the same. Everyone has to appear all hard. Montell, we hardly knew ye!

For more involving this song, check the post here: http://patrickwalsh.blog-city.com/slipndied.htm

Oh, and honestly, I did not plan the first hip-hop song on the countdown to be number 69.



68) "The District Sleeps Alone Tonight" by The Postal Service

I am finally seeing that I was the one worth leaving.

Man, I've had that revelation before. I really love the unfortunately named Death Cab For Cutie, but I'll be damned if I don't like this 80's throwback side project even more. "Such Great Heights" was the "hit," and certainly deserved to be, it's one of the best love songs of the past few years. This one just hits me a little harder. Walking that line between depressing and romantic brilliantly. And when it really kicks in there at the end, with the dance beats and everything? Jesus.


67) "One More Hour" by Sleater-Kinney

Oh, you've GOT the darkest Eye-e-e-e-e-e-e-s!

Hey, nice work never listening to this band, America. They just announced last week that they're breaking up. One of those voices that you either love or want to throw something at. I happen to love it a lot. The vocal interplay these two chicks have is incredible, maybe never moreso than here. And they can play some fucking guitar, too.


66) "You Shook Me All Night Long" by AC/DC

A big part of me finds it easy to write this song off as stupid, overplayed, tired.

And then I have a sip of beer. And it becomes the most awesome song in the entire world.

Plus, it makes girls dance all slutty and start thinking about sex. Truly a bar song for the ages.



65) "Midnight Train To Georgia" by Gladys Knight and the Pips

I'd rather live in his world than live without him in mine.

I would give my right nut to have been a Pip and have gotten to sing these little backup parts. Some of the best echoes in Motown: Dreams don't always come true. Uh-uh. No. Uh-uh! What a tune, I'm always a sucker for a good story song, and this is about as good as they come.

Used to hilarious effect in Broadcast News. "I can read while I sing, I'm reading...and singing...BOTH!" If you don't know what I'm talking about, rent that movie today.


64) "Nightswimming" by REM

THE song about losing your innocence, this is REM's best ballad. The lyrics are exactly what I look for, the music is almost classical, the piano is perfect. Ebenezer Scrooge would be moved by this song.


63) "When You Were Mine" by Prince

Very poppy, very Cars-y, not sure why this isn't cited among his best stuff more often. I think I respect it all the more because he finally spelled out the word "You" in the title as opposed to "U."  As usual, the lyrics conjure up some pretty heady images. It's just like a train. You let all my friend come over and eat. You were so strange. You didn't have the decency to change the sheets. Ewww. I love that he slipped this shit into his music and got away with it, an unbelievably underrated lyricist. Although, if dudes are running a train on your girlfriend...come on, Prince! Might be time to get out of that relationship!

I never cared, I never was the kind to make a fuss when he was there sleeping in between the two of us.

Now, Prince, the girl's just being unreasonable there!



62) "What Is Life" by George Harrison

Phil Spector really just vomited every possible gorgeous sound onto this thing. This song is like an injection of joy. Harrison's best solo joint. (And yes, I'm counting "I Got My Mind Set On You"). Actually I'll go further and call this the best solo Beatles recording overall, better than any solo Lennon song, and the less said about McCartney's post-Beatles work, the better.  Also, it was in Goodfellas, so it wins by default.


61) "No Surprises" by Radiohead

During my eight month stint of not speaking to anyone, I did a lot of wandering around New York City, wondering when my life would start getting good. Wandering and wondering. That's what I did. That and masturbate and hate people. One Thursday night about 1AM, I was totally lost, and it began to pour down rain. I ducked into the first bar I saw and took a seat to wait it out. It was a piano bar (and I'm pretty sure a gay bar, although that was not confirmed).

Anyway, the man playing the piano (who was most definitely gay) was taking requests from the audience all night. He had a really great voice, and I listened to a few tunes. The crowd was pretty drunk and sometimes individuals would walk up next to the piano, join him for a duet, and usually ruin the song.


There was a frail black woman there, about 40 years old, completely bald and clearly in the middle of some sort of struggle with cancer. She looked very ill, and she was there with a woman I assume was her partner.

The piano player called out for another request, and the cancer woman yelled out "No Surprises!"

"Fat chance this guy knows that," I thought. He'd been playing the standards, "Piano Man," "Tiny Dancer," etc. He looked right up at her and said "You got it."

And he proceeded to play a version of that song so powerful and quiet and forceful that literally the place stopped. No drinks were being poured, no one spoke, no one went to the bathroom, nothing. His version, like the actual song, started low and built intensity as it went on. As he sang, the cancer woman and her partner mouthed the words along with him, drying their eyes and holding hands.


A heart that's full up like a landfill
A job that slowly kills you,
Bruises that won't heal.
You look so tired, unhappy,
Bring down the government,
They don't, they don't speak for us.
I'll take a quiet life,
A handshake of carbon monoxide
With no alarms and no surprises

At this point, this cancer woman struggled to stand up and her partner helped her up to the piano.

Forgive me, but my thought was "Oh God, this is gonna be embarassing."

You have to know the song, but you know the part in the middle where the music kind of drops out and it's just his voice?


This is my final fit, my final bellyache
No alarms and no surprises
No alarms and no surprises please

She sang that part a capella. It was phenomenal. Then he came pounding back in on the piano and sang the harmony with her until the song ended, their voices booming, perfectly matched.


Such a pretty house and such a pretty garden
No alarms and no surprises
No alarms and no surprises please

Her partner was crying pretty hard during all of this, a lot of people were. The song finished and everyone applauded and the woman said "God bless you," and she struggled back to her seat and kissed her partner on the forehead. I went back out into the rain.

I miss New York.

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1. Jackson left...
Wednesday, 2 August 2006 8:35 am

Wait, wait, wait. You had a crush on a girl named Dennery Watts? That sounds like the name of someone Harrison Ford would be chasing around in Blade Runner.

Also, I was kind of proud of the fact that I'd read through almost all 80 songs without getting one of them stuck in my head. Until I got to Erasure, you prick. Nothing like having a song on permanent repeat that makes you worry about your sanity and your masculinity.

"I try to discover..."


2. RØB left...
Wednesday, 2 August 2006 11:03 am :: http://www.pancakeproductions.net

Regarding "Misery": "The song wasn't a big hit"? Excuse you, but "Weird Al" Yankovic doesn't parody songs that aren't "big hits," and he most certainly parodied that one.

Good to finally see some damned Breeders on here...there's a version of "Do You Love Me Now?" called "Do You Love Me Now Jr?" that J Mascis produced and sings on (hence the "Jr"), on one of the singles off of LAST SPLASH (I always get all of the B-Sides from singles from that album confused--it might be on the "Saints" single). My bud Amy is tight with the Deal sisters, I chatted with Kelley after seeing TKD6K in 1997 and again last year at Lollapalooza chatting with Amy following the Pixies set.

According to Wikipedia (and of course I know the ramifications of starting any sentence off like that, but it still gave me hope and I thought you'd be interested), the Breeders are going to have an EP release by the end of 2006 and an LP in early 2007!

I have to say that in general, I think Harrison's work is the most poignant (and downright good) post-Beatles former Beatle work. Furthermore, I contend he was the most important of the four Beatles while they were still together, but that's a subject I've covered on my own internet journal a number of times I'm sure.

On the other hand but the same topic, a song being in GOODFELLAS doesn't earn it any points with me (to quite the contrary).


3. Patrick Walsh left...
Wednesday, 2 August 2006 11:59 am

Jackson,

Now that you mention it, I did always have visions of unicorns when she was around.

Rob,

"Misery" reached #20 on the Billboard singles chart, not bad, but pretty underwhelming conisdering the smash success of their previous album, which of course contained the power ballad extraordinaire, "Runaway Train."

I was a Weird Al fan up until the album before the one you mention, so I had never heard the parody. Just looked up the lyrics. Wow, that's really awful. I'll be doing a post about his lamest parodies, this is now in the running. "Syndicated, Incorporated?" Didn't he already do this song? It was called "I Can't Watch This" and it was much funnier.

"DYLMNJr." is on the "Divine Hammer" single, and I don't think it's anywhere near as good as the original. His voice sounds terrible on that song.

That single does have a great cover of Hank Williams' "I Can't Help It If I'm Still In Love With You."

I myself once met Kim and Kelley in an elevator and kept myself just shy of spazzing out. I told Kim I was going to three of the NYC Pixies shows, and she said "Oh God! I'm sorry!" They were both really funny and nice. I also slipped her a copy of my band's CD at a Breeders concert in Chicago once (the only time I have done this). Her response was "For me? Bless your heart!" It was awesome.

I sincerely hope Wilkpedia's right about that new album.

You don't like "Goodfellas?" Wha? The soundtrack to that is full of great doo-wop by the way, which I know you're a fan of.


4. Denny left...
Wednesday, 2 August 2006 12:41 pm

First of all.. i just want to say that the story about "No Suprises" was amazing. I had a few butterflies in my stomach, you are a wonderful story teller. Second.. I'm proud of your selection from the Prince catalogue.. I LOVE that song. I discovered it in the 7th grade, not really knowing what it was all about but.. by 8th grade, totally knowing, since the thoughts of sleeping with literally ANYONE were twirling around in my head..(Puberty, anyone?) Anyway.. its a great song, very classic rocky, and very ballsy. He plays the shit out of this. "when you were mine" was given by Prince to Cyndi Lauper in the 80s for her 1st album, as most of his good songs usual end up..including "How come you dont call me" which he gave to Alicia Keys for her 1st album as well, and became a minor hit. If you're looking for more great Rockish songs by Prince, I suggest "Why you wanna treat me so bad?" which has some unbelieveable guitar parts. If you want.. I'll sing it with you sometime when we're wasted.


5. Flick left...
Wednesday, 2 August 2006 1:01 pm :: http://kaflickastan.blogspot.com

I cried during "Father and Son" just because of the song itself, so I can't imagine what I'd do if I had heard that song in the circumstances you did. Probably would not be alive to write this post, I guess.

I do have to ask you, and Rob, to elaborate on Harrison having the best solo stuff. Better than Lennon? Come on, I just can't imagine that. Now, I must admit I've never heard the song you chose, but I have heard the Hari Krishna song and the "Got My Mind Set on You" song and some other stuff, and I just can't imagine it.

No disrespect to Sir George, by the way. I just have to stick up for Lennon on this.

Also, speaking of missing NYC, Soul Asylum is playing the River 2 River Festival. Sorry you'll miss out.


6. Flick left...
Wednesday, 2 August 2006 1:31 pm :: http://kaflickastan.blogspot.com

Also, a local radio station (JackFM) has been playing acoustic music all day and they played an unplugged "A Little Respect". Great stuff, I don't care what anyone says.

They've also managed to uncover acoustic versions of "Jesse's Girl", "Jenny, Jenny", "Land Down Under", "Unskinny Bop", and now, gloriously, Billy Squier's "The Stroke".

I love how BS takes the song so seriously that he feels the need to get to the soul of thing and play a stripped-down, raw version of it.


7. Mike Russo left...
Wednesday, 2 August 2006 3:40 pm

Pat,

"Fade Into You" might be in my Top 20, and as for "No Surprises," the video is fantastic, and that was the song I would play every day on my way home from a job that slowly killed me for two years (although it helped get me into NBC, so it paid off). That, and of course, The Smiths' "Heaven Knows I'm Miserable Now." If I'm not mistaken, there's a backing vocal to "No Surprises" that moans "Get me out of here" - my sentiments exactly.

Re: Montell Jordan - sadly, there are people who try to mine the gold he did - they just suck (and work under the name The Black Eyed Peas).

Finally, seen the new Jurassic 5 video? It's pretty good, and it gets in a few zingers on Dubya - and it has Dick Cheney riding a SegWay (shortly before suffering a heart attack - yes, it is the perfect video). In my view, there have been too few SegWay punchlines since Arrested went off the air. Why America, why?


8. RØB left...
Wednesday, 2 August 2006 6:09 pm :: http://www.pancakeproductions.net

I guess there's no accountin' for taste. Just don't think Lennon's solo stuff is much to care about, in spite of what pop-rock radio tells me (note, I'm not trying to suggest that you like Lennon better because that's what pop-rock radio suggests, I'm celebrating diversity here).

Weird Al has "greatest hits" style compilations that are called like "The TV Album" and "The Food Album" because he revisits the(se) same themes time and again. If you think "Syndicated, Incorporated" was a "I Can't Watch This" ripoff, maybe you'd agree that "I Can't Watch This" was essentially a "The Brady Bunch" ripoff, or to a lesser degree, a "Cable TV" ripoff. In any case, I don't have his most recent album, I have the one before that. I think the Polkas (medley or otherwise) still make buying the albums worth it.

#20 "Misery" might have been on Billboard, and much more successful might have described their earlier LP effort, but did you check "Misery"'s rankings on "Top 40 Mainstream," "Mainstream Rock Tracks," and "Modern Rock Tracks," where it was #13, #2, and #1, respectively? I'd call that a "big hit" myself.

I shoulda just looked at my iPod to find out what single that was really on, durr. All the singles from LAST SPLASH are excelente, though. I think J Mascis' voice sounds like it usually does on DYLMNJr, and that's how I like it (Dinosaur Jr was my "favorite band," so to speak, through most of High School, and remain one of my very favorites). I will agree it's not as good as the original, though. That Hank cover is bitching; I wondered why no Mr. Williams showed up on this list (yet!) as I listened to him the other day.

There are some things I've always meant to ask Amy about Kim & Kelley, not only are her twin dogs named after them, but she has hung out with 'em on several occasions, including with her Mom as well (as I recall Amy's a PTA fan and has y'allz record too). There's a pretty cool (if too small) Breeders exhibit on the wall at the Rock 'n' Roll Hall of Fame/Museum in Cleveland, in somewhat unrelated non-news.

I went batty chatting with Kelley Deal in 1997 about bad versions of Asia songs and* obscure and horrible recordings of "Hey Jude" sung a capella (or seemingly so) by Linda McCartney. TKD6K was an awesome band, and perfect for the Breeders fan who needed a fix at the time (post-Amps-heyday, pre-Breeders-reunion).

*The things on either side of this asterisk are not related; nothing about Linda McCartney singing Asia songs was discussed. Two separate conversations there.


9. Mike left...
Wednesday, 2 August 2006 6:31 pm

I love the AC/DC, but what about Back in Black. It is probably the greatest guitar lick ever written. Also it rocks the shit out of "You Shook Me All Night Long" which in turns rock the shit out of music made by everyone else not named Van Halen.


10. Jackson left...
Wednesday, 2 August 2006 7:28 pm

See, and I admit this is a matter of personal taste, for me the greatest guitar lick ever written is in Blue Sky by the Allman Brothers.


11. RØB left...
Wednesday, 2 August 2006 10:00 pm :: http://www.pancakeproductions.net/

Isn't this ALL a matter of personal taste? That's what makes it so GLORIOUS!

(It's also what renders the pitiable arguments about U2 pointless, so cut it out you kidders! We're all buds here.)


12. M. Kemper Brown left...
Thursday, 3 August 2006 12:51 am

DIRTY DEEDS (DONE DIRT CHEAP) is the best AC/DC Song. Your list doesn't account for the power of alliteration nearly enough.

Anyone who doesn't like Goodfellas should be shot. How's that for personal taste.


13. M. Kemper Brown left...
Thursday, 3 August 2006 1:41 am

Just saw on the Onion they have a list of Tom Petty's greatest opening lines. American Girl (#1) and Freefallin' (#11) are both on the list. Check it out here: http://www.avclub.com/content/node/51202/1


14. Mike Russo left...
Thursday, 3 August 2006 2:36 am

Pat,

Not gonna lie - a little sad you don't feature any Sinatra on here. Judging from some of your earlier choices, I would think "In The Wee Small Hours" would fit in nicely, and "One For My Baby" is a classic no matter what your age, just as long as you're depressed. If you're gonna put a pure vocal stylist on here, you might as well put THE vocal stylist on here.

Also - is it me, or is your list conspicuously shunning more than a few classic acts that are a rite of passage for many American kids? I can't remember all your choices, so forgive me if I'm remiss, but what about Floyd ("Wish Yo Were Here"?), Who ("Magic Bus" - certainly meets your Goodfellas criteria, but only if it's Live at Leeds), or Zep (anything but "Stairway"). Even The Doors, though pretentious, have more than a few classics that could fit ("The Crystal Ship," or "Waiting For The Sun").


15. Flick left...
Thursday, 3 August 2006 10:23 am :: http://kaflickastan.blogspot.com

Rob & Pat,

Back to Lennon/Harrison thing: I guess I'm really just asking what Harrison songs give him the edge for you. You talked about his poignancy, I just don't see it. "My Sweet Lord" maybe? Probably would reverberate more with me if I had any religious convictions whatever.

RE: Lennon's 'commercialism', I definitely see where you're coming from. They use his songs to sell Nike sneakers ("Instant Karma") and his image to sell Apple computers. "Imagine" is used to promote so many different causes that it has almost lost meaning.

But take "Imagine" by itself, and it's a more revolutionary song than anything I've heard lately. "Imagine no possessions", "no religion, too". You don't see many bands singing about pure socialism much nowadays.

Speaking of "Imagine", that album is almost as good as anything the Beatles put together from beginning to end. You want to talk about a poignant song, try "Jealous Guy".

So take away the 'commercialism', which by the way is definitely not his fault, and his music is the best that any Beatle has put out taken all in all.

Well, McCartney does have "Uncle Albert", and "Maybe I'm Amazed"... and lots and lots of CRAP. I'll give Harrison the edge over McCartney for sure.

Please don't insult my mother over this. She's a saint.


16. Patrick Walsh left...
Thursday, 3 August 2006 12:21 pm

Denny,

Thanks for the kind words. I love "Why You Wanna Treat Me So Bad," although my other Prince favorites are probably "I Could Never Take The Place of Your Man," "7," "It" "Little Red Corvette" and all 75 minutes of "Purple Rain." I do find His new stuff pretty tired, gotta be honest. It makes me a little sad.

Greg,

You'll have to take up the whole Harrison/Lennon debate with Rob, as all I was saying is that I think "What Is Life?" is the best Post-Beatles Beatle SONG. I would probably even go so far as to say "All Things Must Pass" is the best Post-Beatles Beatle ALBUM. But beyond that, I think I would give the edge to Lennon. I know it's due to overplaying, but I couldn't make it through an entire listen of "Imagine" these days. It drives me nuts.

I did see "Lennon" the shockinly short-lived Broadway musical based on his life. Also in the audience that night? Miss Yoko Ono! Thankfully, she didn't sing along.

Also, I love how just about everyone is fooled into thinking a song becomes more "important" and "interesting" when played acoustic. Sometimes, it's cool to hear a song another way, but for the most part it just renders the song boring and brings to the surface all the flaws that were once covered up with pounding drums and blaring electric guitars.

Foo Fighters, love that band but they're doing an acoustic tour across the country right now. I imagine that's just flat-out embarassing. Take a song like "Times Like These" (certainly not their best). Blasting out of headphones, it's an inspiring "Karate KId" soundtrack-esque rock jam. But acoustic? It's schmaltzy and obnoxious. Just one of thousands of examples.

MAJOR exception obviously, before I'm called out on it: "Nirvana Unplugged." That's acoustic versions done right. That did what acoustic versions should do, show that the songs are incredible even without all the feedback and screaming.

A lot of that's due to choices. An acoustic "Territorial Pissing" probably wouldn't have quite worked.

Russo,

"Heaven Knows I'm Miserable Now" and "Girlfriend In A Coma" are my other favorite Smiths tunes. Black Eyed Pees actually churn my stomach.

Rob,

I was keeping those modern rock statistics hidden so as to make my argument stronger. I've learned a lot of lessons from Fox News. YES DAMMIT! YOU WERE RIGHT! IS THAT WHAT YOU WANT?! SOUL ASYLUM'S "MISERY' IS ONE OF THE BIGGEST RADIO SMASHES IN THE HISTORY OF TIME! ELVIS, BEATLES, MARIAH AND SOUL ASYLUM! YOU WIN, YOU RELENTLESS SON OF A BITCH!

I just don't remember hearing it on the radio that much. But this was 1995, I spent a lot of time popping zits and jerking it to MTV's The Grind. Often at the same time.

Love Hank Williams, but I don't think we'll see him on here. Like him more as an artist than for one individual song.

Saw that Breeders exhibit! It was great! I was glad they had anything, I don't know that The Breeders necessarily fit into the Rock and Roll Hall of Fame.

Like KD5000, but strongly prefer The Amps. That album can hold with Breeders as far as I'm concerned. "Braggin Party," Pacer," "Tipp City," "Dedicated"...great stuff.

Mike,

Obviously love "Back In Black." Obviously. But for that shared communal experience, it doesn't have quite the same pizow as when "YSMANL" comes on at a bar or party.

Jackson,

Never heard "Blue Sky." Never listened to much Allman Brothers at all actually. Just never got around to it, I guess.

Brown,

Saw that Onion list, the Onion AV Club always has terrific entertainment reviews, (along with EW and Ebert, the only ones I generally trust), and great interviews and features like the one you mentioned. Although I did notice they basically just selected every track off of "Tom Petty's Greatest Hits." Although I don't know how you couldn't, really.

Russo,

Love Sinatra, my favorites would be "The Best Is Yet to Come," "The Way You Look Tonight," and "My Way." Still, I love old movies but they aren't capable of moving me as much as modern ones are because I don't relate as much. Feel that way about really old music, too. Just a preference.

As for classic rock, it's never really been a genre I embraced. I LIKE most of the bands you mentioned quite a bit, except for The Doors, and I never got into Pink Floyd for some reason. I have some classic rock albums, I just don't hold them in as high regard as everyone else. As for my favorite songs by each:

THE WHO: "Substitute," "Baba O'Riley," "The Seeker," and "A Quick One While He's Away"

PINK FLOYD: Again, haven't heard much, but I like "Wish You Were Here" and "Comfortably Numb" like everyone else. Hate "Money," I'll tell you that. (The song, not actual money. I LOVE that. Do you have any? Please?)

LED ZEPPELIN: "Immigrant Song," "Hot Dog," "D'yer Maker," and "Black Dog."

The Doors suck.

Flick,

I LOVE "Jealous Guy." Check out Roxy Music's version, too. Love a lot of solo Lennon. As I said, I probably wouldn't say Harrison's the better solo artist overall, just song and album.

And from what I've heard, your mother's no saint!

ZINGO!


17. Mike Russo left...
Thursday, 3 August 2006 1:36 pm

Pat,

Re: Old movies, so Casablanca does NOTHING for you? I mean, like, NOTHING-NOTHING? Even after years of parodies (some good, some not so much) and a plot hole no one can ever explain (why don't The Nazis just arrest Lazslo?), there is no finer male protagonist than Rick Blaine (except for perhaps Carrot Top's Edison in Chairman of The Board).

Or what about Shane, Bridge on The River Kwai, Gungha Din or The Wild Bunch (admittedly, that last one kind of straddles the line)? Hell, even Red River kicks a certain amount of ass (although it could benefit enormously from not having the sissy-looking violence that plagues all pre-Wild Bunch Westerns; Shane even more so, for that matter). And it has pre-trauma-induced-insanity Montgomery Clift, who was kind of like Tom Cruise only not nuts (at the time), better looking and actually a great actor. Hell, the guy was so cool The Clash wrote a song about him ("The Right Profile").


18. Mike Russo left...
Thursday, 3 August 2006 1:43 pm

Pat,

I correct the extreme nature of my previous statement to question not that the old movies don't move you at all (I'm sure they do), but rather that a classic like Casablanca doesn't move you as much as a recent film (fine though it may be, like Little Miss Sunshine; not that these two films are all that comparable - it's just a recent good movie I saw).

I guess my point is that, for me, even a good recent movie still can't compare to the emotional heft of those classics.


19. Patrick Walsh left...
Thursday, 3 August 2006 1:46 pm

Russo,

Here is, word for word, what I wrote:

"I love old movies but they aren't capable of moving me as much as modern ones are because I don't relate as much."

Where'd you get that they do nothing for me?

"Casablanca" is incredible. Many of my favorite movies are older. I'm just saying on the average they can't really move me as much because of the time differences. That's not across the board either, "It's A Wonderful Life" is in my top 10 and makes me cry every time. I've seen thouands of old movies and loved a ton of them, all the ones you mentioned are excellent. As I wrote, I LOVE old movies. LOVE them.


20. Mike Russo left...
Thursday, 3 August 2006 2:04 pm

Just pointing out that I did amend my earlier comment to what you actually wrote.


21. Matthew left...
Thursday, 3 August 2006 2:19 pm :: http://www.turboshark.blogspot.com

Mel Gibson hates all your choices.


22. RØB left...
Tuesday, 8 August 2006 3:09 pm :: http://www.pancakeproductions.net

I've always been a fan of the Pretenders' "The Isle Of View" (an unplugged album not sponsored by MTV). Before I go lambasting you for excluding them from yer list, though, I'll read the rest of the list (and will thereafter prob'ly either forget or not care enough to do it anyway). Most of their songs lend well to an acoustic rendering, though--you're right about it being all about choices.